She had been resting 7 1/2 weeks and she was ready to work with me again. The rain began just as I loaded the painting into the car. By the time I arrived, it was pouring.
We spent the afternoon painting. I reconnected with the canvas, and undertook to explore the art of glazing. My friend asked me to think about what colors I would use, cool blues? warm reds? If it had been left to me, I would have gone with blue for this stage. But my painting mentor reminded me to ask.
Blessed Mother chose purple, and the word rang through my inner hearing joyously.
"Purple!" I found myself chiming enthusiastically, and my friend laughingly pointed out that purple was both warm and cool...blue and red.
So I glazed in purple...and I covered my painting fearlessly with a purple wash. When I was finished, the painting was totally different. In my friends little house, it looked like it was lit up by ultra violet light.
At my house though, it looked dim. I was disappointed for the first time in the process.
"What have I done?"
But Blessed Mother gently reminded me that I had been painting under the influence of a waning moon. And truly, I was able to see that. My friend had repeatedly offered me more light, but I only wanted to paint in the dark corner of the studio. When I look at the painting now, it looks like it was painted by the light of an eclipse. And it has that quality of dark light to it.
And then she-Blessed Mother told me what to do for next time when I go back to work next week on the painting.
I had not been able to get the affect I had seen in the initial meditation, when she revealed her image to me almost 8 weeks ago. But now she told me how to do it, and I can't wait to try it.
Starting with white...
I haven't taken a photo of the updated painting at this stage, but I will include one later. And soon, because the moon is nearly dark.
Updated Photo
Here is a photo of the painting in her current phase...
Blessed Mother Guadalupe unfinished painting by Rita Tortorello (waning woof moon phase) |
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